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The constraints that are applied to the sketch affect how it can be modified. When you try to move an element, you should be aware of what constraints have been applied.
You may find that you have to delete a constraint to alter an element and then add it again. Open file invex2B. Note that the file is in Part mode and in isometric view. Chapter 2 Design Fundamentals Figure Profile to which geometric constraints are to be applied 2. Highlight the label Sketch1 in the browser by clicking it once.
Note that the elements in Sketch1 turned blue in the graphics screen, signifying that Sketch1 is selected. With the sketch highlighted, click the View Face. The view will rotate until the sketch is parallel with the screen. The profile on the screen should look similar to Figure As you can see, the lines are all at different angles.
You are going to add vertical and horizontal constraints to force them to follow the X and Y axes. First, display the constraints using the Show All Constraints context menu item. Note that there are only coincident constraints yellow boxes at the junction of two elements and a fixed constraint lock symbol. Sometimes it can be easier to profile a sketch with no constraints.
You do this by holding down the key when drawing a sketch element. Add the horizontal constraints first using the Horizontal tool. Click the tool and click the top almost-horizontal line. Note how the profile moved when you added the constraint. This is perfectly normal. The profile will change shape and position as more constraints are added. With the Horizontal constraints command still active, click the bottom almosthorizontal line.
Press to stop the command. Your profile should now look similar to Figure a. Now, use the Vertical constraints tool and add vertical constraints to the two almost-vertical lines.
When done, your profile should look similar to Figure b. You may have to pan down the screen or use the Zoom All tool to see all the geometry. Did you notice how the geometry moved around the fixed point? Look at the constraints bar in the lower-left corner, which contains a single constraint.
You can add fixed constraints anywhere on the profile. To do so has the effect of locking the movement of the point you fixed. Save the profile as EX2B. If your TEEPRO profile did not have the proper horizontal and vertical constraints, open the file and add them as you did in the preceding steps.
Recall from the earlier list: the collinear constraint lines up two lines; tangent causes a line and an arc to become tangent; and concentric causes two arcs to share the same center. Open file invex2C. As before, display the view perpendicular to the sketch and then switch to Sketch mode. To find out which bar goes with which element, pause your cursor over any constraint and observe which elements are highlighted.
Identify the various constraints by referring back to Figure This alignment is accomplished with the use of the Collinear constraint tool. Click the tool and first click the left horizontal line and then click the other horizontal line.
Note that the right line moved automatically to align with the left line. This is because the fixed point was at the corner of the left line.
Press the key twice to exit the command. Your profile should look similar to Figure a. Click the Tangent constraint tool and then click the large arc and the vertical line on the far right. Now click the smaller arc and the vertical line on the inside left. Your profile should look similar to Figure b.
The last part of this exercise is to change the center of the smaller arc so that it matches that of the larger arc. This involves the use of the Concentric tool. Click the tool, then click the larger arc and then the smaller arc. The arcs should now have the same centers, as shown in Figure c. Save the profile as EX2C. The radius constraint is used to match the radii of two or more arcs or circles.
In this way, if you change the radius of one arc or circle, the others will follow. Open file invex2D. Note that there are vertical, horizontal, perpendicular, and some tangent constraints. Also note that one of the arcs already has a dimensional constraint on it. This is important to do before applying radius constraints, to determine which one is used as the control arc.
What does control how the elements move when a constraint is applied is the order in which you created the elements. In order, the second element moves toward the first, and so on. To override this order apply a fixed constraint to stop an element or point from moving. Click the Tangent constraint tool, then click each arc and line that requires a tangent.
There will be six pairs of lines and arcs. A Figure Profile with a tangent and b equal constraints added B Chapter 2 Design Fundamentals Note the number of tangent constraints in the figure. If your sketch does not match, add the missing constraints. Click the Equal constraint tool, then click the arcs in the following order: click the dimensioned arc and then one of the nondimensioned arcs; repeat for the three undimensioned arcs.
The profile should appear as shown in Figure b. All the radii now match arc 1 with a radius of 0. Double-click on the dimension value. An Edit Dimension dialog box appears. Enter a value of 0. All the radii changed because of the equal constraint.
Save the profile as EX2D. The next step is to learn about dimensional constraints. Then you will see how easy it is to change the size of an object that has a dimensional constraint applied to it. Geometric constraints force the profile to conform to a specific shape, whereas dimensional constraints add the parametric characteristic to the profile. You can change a dimension at any time, and its new value is immediately reflected in the design.
Note: It is easy to of an obje change the size ct that h a sional co nstraint a s a dimenpplied to Change it. Method of Entry and Display of Dimension Values Dimensions can be shown and entered either as numeric constants or as equations. You can even use a combination of constants and equations on one profile see Figure Part a shows the profile with numeric dimensions, and Part b shows it with equations.
Using equations on the profile can add to its versatility because when you modify one dimension, a series of dimensions changes in relation to it see Figure b. Whenever you change the dimension d4, dimension d6 will change to always be half the value of d4. Using formulas, you can easily customize parts with dimensions that are specifically related to each other. The rule of thumb for using numeric values versus equations is: Use numeric values when the size of an element is not related to another element, and use an equation when the size of an element is directly related to another element.
Usually it is easier to let the program first add a numeric value and then change the dimension value to an equation by double-clicking on a dimension value.
A dialog box appears allowing you to enter a new value. You can enter a value in a unit different from that used to start the drawing by including the unit suffix, as in 30 mm or 6 in. When you divide a variable by a value, the value should be unitless ul.
To change the display of the dimensions, right-click in open graphic space with no command active to bring up the context menu. Select Dimension Display to open the flyout. Displays the variable used to describe the dimension, such as d3 or d5.
Shows the dimension as a tolerance. Shows the value with the maximum number of decimal points. Dimension Order You should usually dimension the larger elements first. This will help keep the sketch from distorting during dimensioning. You do not necessarily have to dimension every element in the profile. Some of the elements may be constrained by other elements. It is important to review the geometric constraints before dimensioning the element see Figure This profile requires only three dimensions because most of the geometry is controlled by geometric constraints.
Review the various constraints in Figure Do you want to create a Driven Dimension? It will be displayed but it cannot be edited because its value is driven by another dimension. Design Fundamentals Note: Dimensio nin elements g the larger first help s sketch f rom disto keep the rting dur dimensio ing ning. Placing and Changing Dimensions All the dimensions are created using a single command, which can be selected using the General Dimension tool from the Sketch panel bar.
The program knows when you click on a line, arc, or circle and automatically snaps to the ends of lines and the centers of arcs or circles.
Note: A tool called Automatic Dimension will automatically apply geometric and dimensional constraints to the sketch. We suggest you avoid this command until you are comfortable with Autodesk Inventor, since there is a considerable loss of control over the type of dimensioning used.
When dimensioning a line, you can click it and then place the dimension. The program automatically measures the line. When dimensioning a circle or an arc, click along its circumference and then click the location of the dimension.
If you are dimensioning linearly, the extension line measures from the center of the arc or circle. To dimension an angle, click near the midpoint of each of the two lines and then click the location of the dimension.
To change a dimension value, double-click on the value. TIP To alter the location of the dimension text, pause over the text until the Move cursor appears and then click and drag. Remember that no other command can be active. Display all the geometric constraints. They should look similar to Figure a. If the constraints are different, correct your profile. You should notice A Figure Profile showing a geometric and b dimensional constraints B 35 36 Chapter 2 2.
Design Fundamentals that your profile is probably missing the collinear constraint on the two middle horizontal lines. This will make their heights Match.
Make sure you add it to your profile. Also, check to see where the fixed-point fix constraint is added. Match your profile to Figure a. You may have to delete and add a new fixed point. Press to stop a command.
Now add the necessary dimensions to your profile as shown in Figure b. Your numeric values may not match those in the figure. Never fear. Remember that the figure and your profile are both rough sketches.
The next step is to change the dimension numeric values so that they will be more practical and conform to your initial design. You may skip entering new values if your values match those in Figure However, you should practice editing the dimensions.
Double-click the Overall Length dimension. When asked for the new dimension value, enter 4. Then, double-click the Overall Height dimension and enter a value of 2. Finally, double-click the other dimensions and enter values of 1.
Experiment with changing the various dimensions, noting how the profile is affected. Figure a shows the dimension expressions displayed on the sketch. With no command active, right-click in open space and highlight Dimension Display to open the cascading menu. From this menu, select Expression. Notice that the dimensions now show formulas for the dimension values, as shown in Figure a. Write down the identification of the overall length dimension. It may be d5 as in our figure, but it may be different.
Double-click the Overall Height dimension it should have a value of 2. Dimensions that are calculated by an equation are preceded by the prefix fx. Note the identification of the Overall Height dimension. It may be d8. Finally, change the two short horizontal dimensions so that they are equal to the short vertical dimension by entering the identification of the short vertical dimension see Figure Remember to substitute the identifications in your sketch.
Your design should look similar to Figure b. Change its value to 3 and see what happens. The two vertical dimensions changed as well, demonstrating the power of using equations. Experiment with adding other equations to see what can be accomplished with such a simple design.
There is also a variety of tools to edit a sketch, whether it is in progress or complete. These are contained in the Sketch panel bar. By using the editing tools you can save yourself a lot of time because constraints that control the elements are placed automatically, depending on the tool used. This can affect the outcome. Sometimes you need to delete constraints to modify an element.
Creates a duplicate mirrored copy of selected elements. It requires a line element to mirror about. Creates a series of related copies in two directions. To indicate the direction the copies are to travel, click the arrow button and then click an element on your sketch. Creates a series of related copies around a point. Creates a copy of an original element or elements at the distance to which you drag the cursor.
You can dimension the offset distance afterward. If you modify the original element or elements, the offset copy changes as well. Extends or trims an element to meet another existing element. Click near the end of the element to extend or trim. Moves an element from one existing point to another existing point. Erase the point when complete. Rotates an element around an existing point using a specified angle.
Right-click on a dimension value and click Show Value from the context menu. The fillets should have a radius of 0. You may be wondering why only one dimension was needed when you added two arcs. Once they were added, all that remained was to define the actual size of the radius by adding a dimension. Try changing the radius dimension to see what happens.
To modify a dimension, double-click on the leader line. Make sure you return the value to 0. However, you can also create a path using the same sketch elements, such as lines and arcs. A path can be an open loop or a closed loop. A path is used to sweep a profile along a particular route. Paths can be two-dimensional flat or three-dimensional such as a helix. Figures a — c show the three stages. Stage 1 Stage 2 Stage 3 Draw a sketch of the desired path and complete the sketch by right-clicking and clicking Finish Sketch from the context menu.
Draw a new sketch and turn it into a profile. The profile will be used as the outline. Sweep the profile along the path to create the three-dimensional part. To use it in Sketch mode, right-click with no command active. From the context menu, click the Sketch Doctor menu item. A dialog box similar to Figure a appears. The first step is to click the Diagnose Sketch button. A new dialog box appears listing the various problems to test for see Figure b. The results of the test are then displayed.
Clicking the Next button examines and highlights where the problems are. Clicking Next again goes into the treatment mode. Finally, clicking Finish applies the treatment. The sketch can be used to create a profile, which in turn is used to create a three-dimensional part. The sketch can also be used to create a path used to sweep a profile. The profile shape and size are controlled by geometric and dimensional constraints. You have now explored the steps to create a fully solved profile.
True or False 1. True or False Shapes used to form the outline of a sketch should overlap each other. True or False The simpler the profile, the more complex it is to constrain. True or False Geometric constraints that are added automatically will always constrain the sketch the way you want to. True or False You should try to dimension the larger elements first.
Describe the procedure to get from a blank piece of paper to a profile. True or False When you start sketching, implied constraints are inactive. Questions 1. Explain the procedure for editing a sketch.
Which elements should you dimension first? List and explain the differences between geometric and dimensional constraints. Is it better to take time drawing your sketch accurately or to use that time to perfect the finished product? Support your answer clearly. Note: You should only sketch one half of the profile for the pushpin and can. Figure Rough sketches of common objects 41 42 Chapter 2 Design Fundamentals 2. Draw the sketch shown in Figure , profile it, and check that the geometric constraints match Part b.
Add any missing constraints and delete those that are not necessary. Once you have added the geometric constraints, add the dimensions. Save your profile as SK2A. Figure Parallel Wedge—Sketch 2A 3. Draw the sketch shown in Figure a , and use the Offset tool to copy the large arc, the two small vertical lines tangent to the arc, and the two horizontal lines an approximate distance of 0. Do not click the larger vertical lines.
If you do, the offset will not work. Add the dimensions shown in Part b. Display the dimensions as equations and edit the dimensions by changing some of them to equations refer to Part b. Once you have done this, try changing some of the numeric values to see what happens. Add more equations as you desire. Save your profile as SK2B. Draw the sketch shown in Figure a , profile it, and check that the geometric constraints match Part b. Display the dimensions as equations and edit the dimensions by changing some of them to equations refer to Part c.
Save your profile as SK2C. Add the dimensions shown in Part a. Save your profile as SK2D. As the design of the part evolves it can contain a variety of features such as fillets, holes, and a shell.
But to start you have to create your first basic part. This involves your initial, or base, profile. Creating the starting part feature involves such actions as extruding, revolving, and sweeping profiles. Though base parts are used as the starting point, they can also be used over and over again to create very complex parts.
This chapter introduces you to three-dimensional concepts and moves into actual part creation making use of three different processes: Extrude, Revolve, and Sweep.
These involve viewing the 3D model in different The base part is us ed as the ways and creating working surfaces to allow you to create starting p oint and can also on any axis. These will be covered in the next chapter. This section reviews the basic concepts so that you will be able to understand the Autodesk Inventor creation process more easily. In drafting 2D , the user translates the three-dimensional attributes of an object into flat, twodimensional views—top, front, and side, as shown in Figure In modeling 3D , all three dimensions are taken into consideration.
This sounds complicated, but actually it allows the design to be formulated faster because the user can see the entire model at any time, instead of having to work on one 2D view at a time. In the creation of a part, a third axis is added: the Z axis. Figures a and b show the twodimensional profile and the three-dimensional part. The ultimate guide to Revit Architec-ture just got even better Mastering Autodesk Revit for Architecture is the bestselling guide for Revit Architecture users of all levels, with focused discussions, detailed exercises, and com-pelling real-world examples.
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